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#Dossier return policy tv#
On the eve of the court’s judgement to rule on Lula’s appeal for habeus corpus in 2019 – and minutes before the country’s main TV news programme went on the air – then-commander of the Brazilian army, General Eduardo Villas Bôas, posted a note on Twitter that had been drafted with the mutual consent of the Army High Command in which he subtly threatened the court, stating that the military “repudiates impunity”. However, Lula’s candidacy was put to an end when he was convicted on false fraud charges, prevented from taking part in the elections, and subsequently imprisoned for 580 days, only to be exonerated in March 2021. Three years before the demonstrations invoked by Bolsonaro, his ascendance to power was challenged by former President Luiz Inácio Lula da Silva (PT), who was leading in the opinion polls for the upcoming presidential election. Proud of having emerged from the military’s ranks, the former captain knows that the armed forces have been decisive in his gaining and remaining in power. The agenda of President Jair Bolsonaro (who is not affiliated with any political party) has been marked not only by his radical discourse, but also by his increased participation in military ceremonies – as was clear on 7 September 2021, Brazil’s Independence Day, when he called upon his supporters to take to the streets and protest Congress and the courts following weeks engulfed with tension and speculation over a possible coup. Since the 2016 coup, Brazil has experienced a rollback of these social gains as well as a military presence increased to the highest level since the 1964–1985 dictatorship. To construct peace, on the other hand, would mean to eradicate hunger and illiteracy, to increase the social and productive capacity of the people, and to improve the infrastructure for social life and commerce – indicators that all saw tremendous improvements under the Workers’ Party (PT) government from 2003 until the 2016 coup against then President Dilma Rousseff. They are, in fact, portraits of ourselves – the people, the poor, and the dispossessed – in the act of resistance.īrazil is in danger of becoming a country whose political economy is rooted in militarism, diverting precious social wealth to the military and police as it imposes a military ethic onto public life. These portraits, placed alongside other historical artifacts, rekindle a collective memory.
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The art for this dossier highlights emblematic ‘internal enemies’ constructed throughout history. They are centred around the construction of an ‘internal enemy’ to justify its tactics, strategies, and accumulation of forces. Throughout history, the Brazilian Armed Forces have looked inwards towards their own territory and peoples.